49. Flaming Sunset - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 49 Feuriger Sonnenuntergang (Kunsthaus Zurich, 1974), aka: 49 Flaming Sunset over Mountains (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 49 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.2 x 58.3 cm sheet. The publisher’s circular dry-stamp is on each numbered print

Woodcut 49 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 49. Flaming Sunset (Nathanson, 1972), aka: 49 Feuriger Sonnenuntergang (Kunsthaus Zurich, 1974), aka: 49 Flaming Sunset over Mountains (Nathanson, 1977). Woodblock: 18.4 x 22.6 x 2.3 cm.

50. Valley in Shadow - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 50 Tal im Schatten (Herzogenrath and Liska, 1987, p. 86), aka: 50 Valley in Shadow (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 50 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 50 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 50. Valley in Shadow (Nathanson, 1972), aka: Nr. 50 Tal im Schatten (Herzogenrath and Liska, 1987, p. 86), aka: Valley in Shadow (Nathanson, 1977). Woodblock: 16.3 x 18.6 x 2.3 cm.

51. Village Lane - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 51 Dorfstrasse (Kunsthaus Zurich, 1974), aka: 51 The Main Street - Losone (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 51 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each, 39.1 x 58.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 51 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 51. Village Lane (Nathanson, 1972), aka: 51 Dorfstrasse (Kunsthaus Zurich, 1974), aka: 51 The Main Street - Losone (Nathanson, 1977). Woodblock: 14.1 x 17.6 x 2.2 cm. Woodcut 64 is on the verso.

52. The Church at Arcegno - where the artist wished to be buried - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 52 Kirche von Arcegno, in welche der Kunstler wunschte, begraben zu werden (Kunsthaus Zurich, 1974), aka: 52 The Church of San Lorenzo, Ascona (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 52 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.3 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 52 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 52. The Church at Arcegno - where the artist wished to be buried (Nathanson, 1972), aka: 52 Kirche von Arcegno, in welche der Kunstler wunschte, begraben zu werden (Kunsthaus Zurich, 1974), aka: 52 The Church of San Lorenzo, Ascona (Nathanson, 1977). Woodblock: 20.0 x 25.5 x 2.1 cm.

53. Pond near monte Verita - Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 53 Teich am Monte Verita (Herzogenrath and Liska, 1987, p. 376), aka: 53 Reflections (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 53 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green using the watermark: “a. Segal” on each 39.1 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 53 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 53. Pond near Monte Verita - Ascona (Nathanson, 1972), aka: Nr. 53 Teich am Monte Verita (Herzogenrath and Liska, 1987, p. 376), aka: 53 Reflections (Nathanson, 1977). Woodblock: 17.8 x 24.1 x 2.4 cm.

54. The Artist’s House - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 54 Haus des Kunstlers (Herzogenrath and Liska, 1987, p. 29), aka: 54 The Artist’s House (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 54 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 54 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 54. The Artist’s House (Nathanson, 1972), aka: Nr. 54 Haus des Kunstlers (Herzogenrath and Liska, 1987, p. 29), aka: 54 The Artist’s House (Nathanson, 1977). Woodblock: 18.3 x 18.2 x 2.3 cm.

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