37. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 37 (Herzogenrath and Liska, 1987, p. 375), aka 37 Rearing Horses (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 37 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.2 x 58.4 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 37 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 37. ANTI-WAR (Nathanson, 1972), aka: Nr. 37 (Herzogenrath and Liska, 1987, p. 375), aka: 37 Rearing Horses (Nathanson, 1977). Woodblock: 18.3 x 22.5 x 2.2 cm.

38. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 38 (Herzogenrath and Liska, 1987, p. 375), aka 38 The First Volley (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 38 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 38 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 38. ANTI-WAR (Nathanson, 1972), aka: Nr. 38 (Herzogenrath and Liska, 1987, p.375), aka: 38 The First Volley (Nathanson, 1977). Woodblock: 15.0 x 22.3 x 2.3 cm.

39. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 39 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 39 Bayonet Charge (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 39 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges, made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.0 x 58.3 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 39 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 39. ANTI-WAR (Nathanson, 1972), aka: 39 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 39 Bayonet Charge (Nathanson, 1977). Woodblock: 15.1 x 22.4 x 2.3 cm.

40. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 40 (Herzogenrath and Liska, 1987, p. 375), aka: 40 Close Combat (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 40 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.2 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 40 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 40. ANTI-WAR (Nathanson, 1972), aka: Nr. 40 (Herzogenrath and Liska, 1987, p. 375), aka: 40 Close Combat (Nathanson, 1977). Woodblock: 15.0 x 22.4 x 2.3 cm.

41. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 41 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 41 Soldier Reeling from Explosion (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 41 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 41 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914, used to print the 1972 limited edition of 80 prints: 41. ANTI-WAR (Nathanson, 1972), aka: 41 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 41 Soldier Reeling from Explosion (Nathanson, 1977). Woodblock: 15.0 x 22.4 x 2.3 cm.

42. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 42 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 42 Victims Tossed into Arena of War (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 42 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.0 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 42 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 42. ANTI-WAR (Nathanson, 1972), aka: 42 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 42 Victims Tossed into Arena of War (Nathanson, 1977). Woodblock 15.0 x 22.4 x 2.3 cm.

43. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 43 (Herzogenrath and Liska, 1987, p. 375), aka 43 Troops Advancing Past Victims (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 43 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.2 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 43 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1915, used to print the 1972 limited edition of 80 prints: 43. ANTI-WAR (Nathanson, 1972), aka: Nr. 43 (Herzogenrath and Liska, 1987, p. 375), aka: 43 Troops Advancing Past Victims (Nathanson, 1977). Woodblock: 15.1 x 22.4 x 2.3 cm.

44. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 44 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 44 Surrender (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 44 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.6 x 39.4 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 44 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 44. ANTI-WAR (Nathanson, 1972), aka: 44 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 44 Surrender (Nathanson, 1977). Woodblock: 12.4 x 18.4 x 2.3 cm.

45. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 45 (Herzogenrath and Liska, 1987, p. 88), aka: 45 Mother and Child Bayoneted (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 45 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.4 x 39.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 45 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 45. ANTI-WAR (Nathanson, 1972), aka: Nr. 45 (Herzogenrath and Liska, 1987, p. 88), aka: 45 Mother and Child Bayoneted (Nathanson, 1977). Woodblock: 9.3 x 15.1 x 2.3 cm.

46. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 46 (Herzogenrath and Liska, 1987, p. 375), aka: 46 Slaughter of Innocents (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 46 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.5 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 46 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1915, used to print the 1972 limited edition of 80 prints: 46. ANTI-WAR (Nathanson, 1972), aka: Nr. 46 (Herzogenrath and Liska, 1987, p. 375), aka: 46 Slaughter of Innocents (Nathanson, 1977). Woodblock: 11.4 x 21.0 x 1.0 cm. Woodblock and mount: 12.5 x 22.0 x 2.2 cm.

47. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 47 Gegen den Krieg (Kunsthaus, Zurich, 1974), aka: 47 Parade of Bayoneted Heads (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 47 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.3 x 58.3 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 47 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 47. ANTI-WAR (Nathanson, 1972), aka: 47 Gegen den Krieg (Kunsthaus Zurich, 1974), aka: 47 Parade of Bayoneted Heads (Nathanson, 1977). Woodblock: 18.3 x 22.5 x 2.3 cm.

48. ANTI-WAR - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 48 Passion (Herzogenrath and Liska, 1987, p. 90), aka: 48 Christ Bearing the Cross (Nathanson, 1977). Printed in 1972 by: Will Carter OBE (1912 - 2001) using Woodcut 48 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1915. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 38.8 x 28.5 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 48 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1915, used to print the 1972 limited edition of 80 prints: 48. ANTI-WAR (Nathanson, 1972), aka: Nr. 48 Passion (Herzogenrath and Liska, 1987, p. 90), aka: 48 Christ Bearing the Cross (Nathanson, 1977). Woodblock: 18.2 x 13.6 x 2.3 cm.