4. The Artist’s Wife Reading - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 4 Die Frau des Künstlers (Kunsthaus Zurich, 1974), aka: 4 The Artist’s wife reading (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001), using Linocut 4 by Arthur Segal (1875 - 1944) carved on the Baltic in 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 58.3 x 38.9 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Linocut 4 - by Arthur Segal (1875 - 1944), carved on the Baltic in 1912, used to print the 1972 limited edition of 80 prints: 4. The Artist’s Wife Reading (Nathanson, 1972), aka: 4 Die Frau des Künstlers (Kunsthaus Zurich, 1974), aka: 4 The Artist’s wife reading (Nathanson, 1977). Linoblock: 20.8 x 14.3 x 0.3 cm.

5. Profile of the Artist’s Wife - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 5 Frau des Kunstlers (Herzogenrath and Liska, 1987, p. 374), aka: 5 Profile of the Artist’s wife (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001), using Woodcut 5 by Arthur Segal (1875 - 1944) carved on the Baltic in 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 58.0 x 38.3 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 5 - by Arthur Segal (1875 - 1944), carved on the Baltic in 1912, used to print the 1972 limited edition of 80 prints: 5. Profile of the Artist’s Wife (Nathanson, 1972), aka: Nr. 5 Frau des Kunstlers (Herzogenrath and Liska, 1987, p. 374), 5 Profile of the Artist’s wife (Nathanson, 1977). Woodblock: 28.0 x 20.1 x 1.6. Woodcut 17 is on the verso .

6. The Artist’s Wife and Daughter - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 6 Zwei Frauen (Herzogenrath and Liska, 1987, p. 374), aka: 6 The Artist’s wife and daughter (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 6 by Arthur Segal (1875 - 1944), carved on the Baltic in 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 58.3 x 38.9 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 6 - by Arthur Segal (1875 - 1944), carved on the Baltic in 1912, used to print the 1972 limited edition of 80 prints: 6. The Artist’s Wife and Daughter (Nathanson, 1972), aka: Nr. 6 Zwei Frauen (Herzogenrath and Liska, 1987, p. 374), 6 The Artist’s wife and daughter (Nathanson, 1977). Woodblock: 28.0 x 19.9 x 1.5 cm. Woodcut 12 is on the verso.

7. Woman Asleep - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 7 Schlafende (Kunsthaus Zurich, 1974), aka: 7 Woman reading (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 7 by Arthur Segal (1875 - 1944), carved on the Baltic in 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 39.3 x 57.8 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 7 - by Arthur Segal (1875 - 1944), carved on the Baltic in 1912, used to print the 1972 limited edition of 80 prints: 7. Woman Asleep (Nathanson, 1972), aka: 7 Schlafende (Kunsthaus Zurich, 1974), aka: 7 Woman reading (Nathanson, 1977). Woodblock: 19.9 x 27.9 x 1.5 cm. Woodblock and mount: 19.9 x 27.9 x 2.3 cm.