30. Winding Street – Tessin - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 30 Dorfstrasse Tessin (Herzogenrath und Liska, 1987, p. 376), aka: 30 Street in Losone (Nathanson, 1977). Printed by Will Carter OBE (1912 - 2001) using Woodcut 30 - by Arthur Segal (1875 - 1944) carved in Ascona Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.5 x 39.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 30 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 30. Winding Street - Tessin (Nathanson, 1972), aka: Nr. 30 Dorfstrasse Tessin (Herzogenrath und Liska, 1987, p. 376), aka: 30 Street in Losone (Nathanson, 1977). Woodblock: 13.0 x 18.0 x 2.0 cm. Woodblock and mount: 13.0 x 18.0 x 2.2 cm.

31. The Square at Tessin - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 31 Piazza im Tessin (Kunsthaus Zurich, 1974), aka: 31 The Square (San Lorenzo) Losone (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 31 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.3 x 38.7 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 31 - by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 31. The Square at Tessin (Nathanson, 1972), aka: 31. Piazza im Tessin (Kunsthaus Zurich, 1974), aka: 31 The Square (San Lorenzo) Losone (Nathanson, 1977). Woodblock 12.1 x 20.4 x 2.3 cm.

32. Path to Arcegno - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 32 Weg nach Arcegno (Kunsthaus Zurich, 1974), aka: 32 Pathway to Arcegno (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 32 by Arthur Segal (1875 - 1944), carved in Ascona Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.2 x 39.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 32 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 32 Path to Arcegno (Nathanson, 1972), aka: 32 Weg nach Arcegno (Kunsthaus Zurich, 1974), aka: 32 Pathway to Arcegno (Nathanson, 1977). Woodblock 6.2 x 5.5 x 0.8 cm.

33. Wayside Chapel - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 33 Kapelle an Strassenrand (Kunsthaus Zurich, 1974), aka: 33 The Wayside Chapel of Arbigo (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Wooduct 33 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.5 x 39.3 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 33 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 33. Wayside Chapel (Nathanson, 1972) aka: 33 Kapelle an Strassenrand (Kunsthaus Zurich, 1974), aka: 33 The Wayside Chapel of Arbigo (Nathanson, 1977). Woodblock: 5.2 x 6.5 x 0.7 cm.

34. Chapel of La Madonna della Fontana – where the young wines were tasted each year - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 34 Kapelle der Madonna della Fontana in der jedes Jahr der junge Wein geprüft wurde (Kunsthaus Zurich, 1974), 34 Chapel of the Madonna of the Fountain (where the young wines were tasted) (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 34 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 38.7 x 28.4 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 34 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 34. Chapel of La Madonna della Fontana – where the young wines were tasted each year (Nathanson, 1972), aka: 34 Kapelle der Madonna della Fontana in der jedes Jahr der junge Wein geprüft wurde (Kunsthaus Zurich, 1974), aka 34 Chapel of the Madonna of the Fountain (where the young wines were tasted). Woodblock: 18.2 x 12.0 x 2.1 cm. Woodblock and mount: 18.2 x 12.0 x 2.4 cm.

35. The Waterfront - Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 35 Seepromenade in Ascona (Kunsthaus Zurich, 1974), aka: 35 Two figures in a Street (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 35 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.1 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 35 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 35. The Waterfront - Ascona (Nathanson, 1972), aka: 35 Seepromenade in Ascona (Kunsthaus Zurich, 1974), aka: 35 Two figures in a Street (Nathanson, 1977). Woodblock: 12.0 x 14.7 x 1.1 cm. Woodblock and MDF mount: 12.0 x 14.7 x 2.3 cm.

36. The Church at Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 36 Kirche in Ascona (Kunsthaus Zurich, 1974), aka: 36 The Church of St Peter and St Paul. Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 36 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 28.5 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Number 36 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 36. The Church at Ascona (Nathanson, 1972), aka: 36 Kirche in Ascona (Kunsthaus Zurich, 1974), aka: 36 The Church of St Peter and St Paul (Nathanson, 1977). Woodblock: 12.5 x 8.0 x 0.8 cm. Woodblock and mount: 12.5 x 8.0 x 2.4 cm.