22. ILL WINDS - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 22 Böse Winde (Kunsthaus Zurich, 1974), aka: 22 Ill Winds (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 22 , aka: “Die Feuersbrunst” by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1913. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 38.8 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each print.

Woodcut 22 - “Die Feuersbrunst” - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1913, used to print the 1972 limited edition of 80 prints: 22. ILL WINDS (Nathanson, 1972) aka: 22 Böse Winde (Kunsthaus Zurich, 1974), aka: Ill Winds (Nathanson, 1977). Woodblock: 22.0 x 28.7 x 2.2 cm.

23. Mountains in Sunlight – the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 23 Berge im Sonnenschein (Herzogenrath and Liska, 1987, p. 375), aka: 23 Mountains caught in Sunlight (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 23 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland. c. 1914 - 16. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.5 x 38.5 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 23 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 23. Mountains in Sunlight (Nathanson, 1972), aka: Nr. 23 Berge im Sonnenschein (Herzogenrath and Liska, 1987, p. 375), aka: 23 Mountains caught in Sunlight (Nathanson, 1977). Woodblock: 9.2 x 12.3 x 2.3 cm.

24. Church at Tessin - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018) aka: Nr. 24 Kirche im Tessin (Herzogenrath and Liska, 1987, p. 376), aka: 24 Church near Avegno (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 24 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 16. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 28.3 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 24 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 24. Church at Tessin (Nathanson, 1972), aka: Nr. 24 Kirche im Tessin (Herzogenrath and Liska, 1987, p. 376), aka: 24 Church near Avegno (Nathanson, 1977). Woodblock: 11.0 x 10.2 x 0.6 cm.

25. House in a Valley - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 25 Haus in einem Tal (Kunsthaus Zurich, 1974), aka: 25 View of Mount Verita (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 25 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 28.5 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 25 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 25. House in a Valley (Nathanson, 1972), aka: 25 Haus in einem Tal (Kunsthaus Zurich, 1974), aka: View of Mount Verita (Nathanson, 1977). Woodblock: 10.1 x 12.8 x 0.7 cm.

26. Church - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018) aka: 26 Kirche (Kunsthaus Zurich, 1974), aka: 26 Church at St Sebastian (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) from Woodcut 26 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914-1916. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 28.3 x 38.8 cm sheet. The publisher’s dry-stamp is on each numbered print.

Woodcut 26 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 26 Church (Nathanson, 1972), aka: 26 Kirche (Kunsthaus Zurich, 1974), aka: 26 Church at St Sebastian (Nathanson, 1977). Woodblock: 10.8 x 9.7 x 1.1 cm. Woodblock and mount: 12.9 x 11.6 x 2.3 cm.

27. House at Losone - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 27 Haus in Losone (Kunsthaus Zurich, 1974), aka: 27 House at Losone (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) from Woodcut 27 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using watermark: “a.Segal” on each, 28.5 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 27- by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 27. House at Losone (Nathanson, 1972), aka: 27 Haus in Losone (Kunsthaus Zurich, 1974), aka: 27 House at Losone (Nathanson, 1977). Woodblock: 10.3 x 11.1 x 1.0 cm. Woodblock and mount: 10.3 x 11.1 x 2.3 cm.

28. Archway - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 28 Torweg (Kunsthaus Zurich, 1974), aka: Archway at Ghiriglioni (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) from Woodcut 28 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.7 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 28 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 28. Archway (Nathanson, 1972), aka: 28 Torweg (Kunsthaus Zurich, 1974), aka: 28 Archway at Ghiriglioni (Nathanson, 1977). Woodblock: 10.6 x 10.5 x 1.0 cm. Woodblock and mount: 10.6 x 10.5 x 2.3 cm.

29. Village Street - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018) aka: Nr. 29 Dorfstrasse (Herzogenrath and Liska, 1987, p. 375), aka: 29 Lane of the Olives (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 29 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.4 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 29 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 28. Village Street (Nathanson, 1972), aka: Nr. 29 Dorfstrasse (Herzogenrath and Liska, 1987, p. 375), aka: 29 Lane of the Olives (Nathanson, 1977). Woodblock: 11.3 x 13.2 x 0.9 cm. Woodblock and mount: 12.5 x 14.6 x 2.2 cm.