55. Harbour Front at Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 55 Hafen von Ascona (Herzogenrath and Liska, 1987, p. 29), aka: 55 Piazza Motta (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 55 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 38.7 x 57.9 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 55 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 55. Harbour Front at Ascona (Nathanson, 1972), aka: Nr. 55 Hafen von Ascona (Herzogenrath and Liska, 1987, p. 29), aka: 55 Piazza Motta (Nathanson, 1977). Woodblock: 13.5 x 25.0 x 1.7 cm.

56. Bridge at Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 56 Brucke in Ascona (Herzogenrath and Liska, 1987, p. 376), aka: 56 Piazza Motta from the Bridge (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 56 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 56 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 56. Bridge at Ascona (Nathanson, 1972), aka: Nr. 56 Brucke in Ascona (Herzogenrath and Liska, 1987, p. 376), aka: 56 Piazza Motta (Nathanson, 1977). Woodblock: 13.7 x 24.9 x 2.3 cm.

57. Water-edge - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 57 Am Ufer (Kunsthaus Zurich, 1974), aka: 57 The Lake from San Michele (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 57 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd, using the watermark: “a. Segal” on each 28.6 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 57 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 57. Water-edge (Nathanson, 1972), aka: 57 Am Ufer (Kunsthaus Zurich, 1974), aka: 57 The Lake from San Michele (Nathanson, 1977). Woodblock: 11.6 x 14.8 x 0.8 cm.

58. The Quayside at Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 58 Quaiseite von Ascona (Kunsthaus Zurich, 1974), aka: 58 The Old Port of Ascona (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) from Woodcut 58 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green using the watermark: “a. Segal” on each 28.6 x 38.8 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 58 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 58. The Quayside at Ascona (Nathanson, 1972), aka: 58 Quaiseite von Ascona (Kunsthaus Zurich, 1974), aka: 58 The Old Port of Ascona (Nathanson, 1977). Woodblock: 9.0 x 14.7 x 2.3 cm.

59. Path leading down to Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 59 Steg nach Ascona (Herzogenrath and Liska, 1987, p. 375), aka: 59 Ascona from the steps of the Wrinkle (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 59 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.2 x 28.5 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 59 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 59. Path leading down to Ascona (Nathanson, 1972), aka: Nr. 59 Steg nach Ascona (Herzogenrath and Liska, 1987, p. 375), aka: 59 Ascona from the steps of the Wrinkle (Nathanson, 1977). Woodblock: 12.9 x 11.2 x 2.3 cm.

60. Ascona seen from Above - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 60 Ascona von oben gesehen (Herzogenrath and Liska, 1987, p. 376), aka: 60 Ascona from Rondenico (Nathanson, 1977). Printed by Will Carter OBE (1912 - 2001) using Woodcut 60 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.5 x 38.5 cm sheet. The publisher’s circular dry-stamp is on each numbered sheet.

Woodcut 60 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 60. Ascona seen from Above (Nathanson, 1972), aka: Nr. 60 Ascona von oben gesehen (Herzogenrath and Liska, 1987, p. 376), aka: 60 Ascona from Rondenico (Nathanson, 1977). Woodblock: 8.8 x 10.6 x 2.3 cm.

61. Ascona overlooking Lago Maggiore - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 61 Ascona, gegen Lago Maggiore (Kunsthaus Zurich, 1974), aka: 61 Lake Maggiore from Ascona (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 61 by Arthur Segal (1875 - 1944) carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.4 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 61 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 61. Ascona overlooking Lago Maggiore (Nathanson, 1972), aka: 61 Ascona, gegen Lago Maggiore (Kunsthaus Zurich, 1974), aka: 61 Ascona from Lake Maggiore (Nathanson, 1977). Woodblock: 9.7 x 12.7 x 0.7 cm.

62. The Bay of Ascona - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 62 Ascona am See (Herzogenrath and Liska, 1987, p. 376), aka: 62 The Bay of Ascona from the Castle of Ghiriglioni (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 62 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.3 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 62 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1914 - 1916, used to print the 1972 limited edition of 80 prints: 62. The Bay of Ascona (Nathanson, 1972), aka: Nr. 62 Ascona am See (Herzogenrath and Liska, 1987, p. 376), aka: 62 The Bay of Ascona from the Castle of Ghiriglioni (Nathanson, 1977). Woodblock: 16.0 x 24.7 x 2.3 cm.