63. Landscape with Birds - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 63 Landschaft mit Vogeln (Kunsthaus Zurich, 1974), aka: 63 Landscape with Birds (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 63 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 63 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 63. Landscape with Birds (Nathanson, 1972), aka: 63 Landschaft mit Vogeln (Kunsthaus Zurich, 1974), aka: 63 Landscape with Birds (Nathanson, 1977). Woodblock: 17.3 x 26.1 x 1.8 cm.

64. Landscape - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 64 Landschaft (Kunsthaus Zurich, 1974), aka: 64 Landscape (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 64 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.3 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered sheet.

Woodcut 64 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 64. Landscape (Nathanson, 1972), aka: 64 Landschaft (Kunsthaus Zurich, 1974), aka: Landscape (Nathanson, 1977). Woodblock: 14.0 x 17.6 x 2.2 cm. Woodcut 51 on the verso.

65. Chair - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 65 Stuhl (Kunsthaus Zurich, 1974), aka: 65 Chair (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 65 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.3 x 38.9 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 65 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 65. Chair (Nathanson, 1972), aka: 65 Stuhl (Kunsthaus Zurich, 1974), aka: 65 Chair (Nathanson, 1977). Woodblock: 7.7 x 6.0 x 0.8 cm.

66. Cobbler - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 66 Schuhmacher (Herzogenrath and Liska, 1987, p. 376), aka: 66 Cobbler (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 66 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.4 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 66 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 66. Cobbler (Nathanson, 1972), aka: Nr. 66 Schuhmacher (Herzogenrath and Liska, 1987, p. 376), aka: 66 Cobbler (Nathanson, 1977). Woodblock: 6.9 x 8.2 x 2.3 cm.

67. Man with an Umbrella - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 67 Mann mit Regenschirm (Kunsthaus Zurich, 1974), aka: 67 Man with an Umbrella (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 67 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 28.5 x 39.1 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 67 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 67. Man with an Umbrella (Nathanson, 1972), aka: 67 Mann mit Regenschirm (Kunsthaus Zurich, 1974), aka: 67 Man with an Umbrella (Nathanson, 1977). Woodblock: 7.0 x 8.2 x 0.8 cm.

68. Street - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 68 Strasse (Herzogenrath and Liska, 1987, p. 38), aka: 68 Street (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 68 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Ltd using the watermark: “a. Segal” on each 28.5 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 68 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 68. Street (Nathanson, 1972), aka: Nr. 68 Strasse (Herzogenrath and Liska, 1987, p. 38), aka: 68 Street (Nathanson, 1977). Woodblock: 11.9 x 16.8 x 1.2 cm. Woodblock and mount: 12.6 x 18.9 x 2.3 cm.

69. Flight into Egypt - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 69 Flucht nach Agypten (Kunsthaus Zurich, 1974), aka: 69 Flight into Egypt (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 69 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 38.8 x 57.8 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 69 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 69. Flight into Egypt (Nathanson, 1972), aka: 69 Flucht nach Agypten (Kunsthaus Zurich, 1974), aka: 69 Flight into Egypt (Nathanson, 1977). Woodblock: 21.1 x 27.9 x 2.2 cm.

70. The Last Supper - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 70 Das letzte Abendmahl (Herzogenrath and Liska, 1987, p. 376), aka: 70 The Last Supper (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 70 by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919. Ink on bespoke wove paper with deckle edges made by: J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.1 x 58.3 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 70 - by Arthur Segal (1875 - 1944), carved in Ascona, Switzerland c. 1916 - 1919, used to print the 1972 limited edition of 80 prints: 70. The Last Supper (Nathanson, 1972), aka: Nr. 70 Das letzte Abendmahl (Herzogenrath and Liska, 1987, p. 376), aka: 70 The Last Supper (Nathanson, 1977). Woodblock: 21.3 x 30.8 x 1.5 cm. Woodblock and mount: 21.3 x 30.8 x 2.2 cm.