16. Street Scene after Dark - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 16 Strassenszene im Dunklin (Kunsthaus Zurich, 1974), aka: 16 Street Scene after Dark (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001), using Woodcut 16 by Arthur Segal (1875-1944) carved in Berlin c. 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 38.9 x 57.5 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 16 - by Arthur Segal (1875 – 1944), carved in Berlin c. 1912, used to create the 1972 limited edition of 80 prints: 16. Street Scene after Dark (Nathanson, 1972), aka: 16 Strassenszene im Dunklin (Kunsthaus Zurich, 1974), aka: 16 Street Scene after Dark (Nathanson, 1977). Woodblock: 22.7 x 18.1 x 1.2 cm. Woodblock and mount: 22.7 x 18.1 x 2.1 cm.

17. Shadows on a Boulevard - Nightfall - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 17 Schatten auf der Strasse bei Einbruch (Kunsthaus Zurich, 1974), aka: 17 Boulevard - Nightfall (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 17 by Arthur Segal (1875 - 1944) carved in Berlin c. 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 58.1 x 39.0 cm sheet The Publisher’s circular dry-stamp is on each numbered print.

Woodcut 17 - by Arthur Segal (1875 - 1944), carved in Berlin c. 1912, used to print the 1972 limited edition of 80 prints: 17. Shadows on a Boulevard - Nightfall (Nathanson, 1972), aka: 17 Schatten auf der Strasse bei Einbruch (Kunsthaus Zurich, 1974), aka: 17 Boulevard - Nightfall (Nathanson, 1977). Woodblock: 28.0 x 20.1 x 1.6 cm. Woodcut 5 is on the verso.

18. Courtyard in Sunlight - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 18 Hof im Sonnenschein (Herzogenrath and Liska, 1987, p. 374), aka: 18 Courtyard in Sunlight (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 17 by Arthur Segal (1875 - 1944) carved in Berlin c. 1912. Ink on bespoke wove paper with deckle edges made by J. Barcham Green Ltd using the watermark: “a. Segal” on each 39.0 x 58.1 cm sheet. The Publisher’s circular dry-stamp is on each numbered print.

Woodcut 18 - by Arthur Segal (1875 - 1944), carved in Berlin c. 1912, used to print the 1972 limited edition of 80 prints: 18. Courtyard in Sunlight (Nathanson, 1972) aka: Nr. 18 Hof im Sonnenschein (Herzogenrath and Liska, 1987, p. 374), aka: 18 Courtyard in Sunlight (Nathanson, 1977). Woodblock: 19.8 x 27.9 x 1.6 cm. Woodblock and mount: 19.8 x 27.9 x 2.3 cm.

19. Figures in a sunlit Street - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 19 Figuren auf sonniger Strausse (Kunsthaus Zurich, 1974), aka: 19 Figures in a Sunlit Street and Tramcar (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 19 by Arthur Segal (1875 - 1944). Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 39.0 x 57.8 cm sheet. The Publisher’s circular dry-stamp is on each numbered print.

Woodcut 19 - by Arthur Segal (1875-1944), carved in Berlin c. 1912, used to print the 1972 limited edition of 80 prints: 19. Figures in a Sunlit Street (Nathanson, 1972), aka: 19 Figuren auf sonniger Strausse (Kunsthaus Zurich, 1974), aka: 19 Figures in a Sunlit Street and Tramcar (Nathanson, 1977). Woodblock: 20.0 x 25.0 x 1.2 cm. Woodblock and MDF mount: 20.0 x 25.0 x 2.2 cm.

20. Cathedral - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: 20 Kathedrale (Kunsthaus Zurich, 1974), 20 Cathedral (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 20 by Arthur Segal (1875 - 1944) carved in Berlin c. 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark “a. Segal” on each 58.3 x 39.0 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 20 - by Arthur Segal (1875 - 1944), carved in Berlin c. 1912, used in 1972 to print the limited edition of 80 prints: 20. Cathedral (Nathanson, 1972), aka: 20 Kathedrale (Kunsthaus Zurich, 1974), aka: 20 Cathedral (Nathanson, 1977). Woodblock: 19.9 x 27.9 x 1.6 cm. Woodcut 21 is on the verso.

21. Grünwald Park - the limited edition of 80 prints published in 1972 by Richard Nathanson (1947 - 2018), aka: Nr. 21 Park im Grunewald (Herzogenrath and Liska, 1987, p. 374), aka: 21 Grunwald Park (Nathanson, 1977). Printed in 1972 by Will Carter OBE (1912 - 2001) using Woodcut 21 by Arthur Segal (1875 - 1944) carved in Berlin c. 1912. Ink on bespoke wove paper with deckle edges, made by J. Barcham Green Ltd, using the watermark: “a. Segal” on each 39.0 x 58.2 cm sheet. The publisher’s circular dry-stamp is on each numbered print.

Woodcut 21 - by Arthur Segal (1875 - 1944), carved in Berlin c. 1912, used in 1972 to create the limited edition of 80 prints: 20. Grünwald Park (Nathanson, 1972) aka: Nr. 21 Park im Grunewald (Herzogenrath and Liska, 1987, p. 374), aka: 21 Grunwald Park (Nathanson, 1977). Woodblock: 19.9 x 27.9 x 1.6 cm. Woodcut 20 is on the verso.